Mimarlık Bölümü / Department of Architecture

Permanent URI for this collectionhttps://gcris3.etu.edu.tr/handle/20.500.11851/268

Browse

Now showing 1 - 9 of 9

L’arquitectura de dema:un enfocament radical
(RACO, 2015-10) Çağlar, Nur
L’arquitectura sempre ha repensat i analitzat amb caràcter continu de temps i especificitatde lloc. En aquest sentit, avui dia, les especulacions de l’arquitectura vinent estan fortamentrelacionades amb els esdeveniments, les eleccions i els desitjos actuals de l’ésser l’humà. L’elaboraciód’arquitectura no assumeix prediccions, previsions i estimacions sobre com serà el futur, com undeure o una preocupació. No obstant això, el pensament arquitectònic pot beneficiar l’exercici deles especulacions i les futures perspectives que no sols especifiquen els problemes, sinó tambélluiten per trobar possibles solucions. Per tant, en lloc de discutir la projecció de la interrelació del’arquitectura actual i l’arquitectura de demà, jo advoque per la necessitat de discutir sobre qüestionscom ara què ha de ser l’arquitectura i com haurien de ser els arquitectes. La preocupació hauria deser el futur de l’arquitectura, no l’arquitectura del futur.
Materiart: Architectural Design, Research, and Technology
(Caleidoscopio, 2022) Abbas, Günsu Merin; Acar, Sibel; Bancı, Selda; Çağlar, Nur; Ruhi Sipahioğlu, Işıl; Yılmaz, Burçin
[No Abstract Available]
Mimari Tasarım Stüdyolarında Ankara'nın Geleceğini Kavramak
(TMMOB Mimarlar Odası Ankara Şubesi, 2021) Çağlar, Nur; Bancı, Selda
Mimarlık okulları bulundukları kentle sürekli ilişki içindedir. Mimarlık öğrencisi kenti gözler, deneyimler ve kentten öğrenirken
Mimarlık Eğitimi ve Ankara için Gelecek Spekülasyonları
(TMMOB Mimarlar Odası Ankara Şubesi, 2021) Öztoprak, Zelal; Ruhi Sipahioğlu, Işıl; Çağlar, Nur
Bu yazıda öğrenme ortamı ve çalışmaları aktarılan TOBB ETÜ Mimarlık Bölümü Diploma Stüdyosu, geleceğe dair derinlikli bir kavrayış geliştirmek üzerine araştırmalar yapmaktadır. Geleceğe dair bu araştırmaların birbirlerini besleyen ve karşılıklı gelişen iki araştırma nesnesi bulunmaktadır: mimarlık eğitimi ve Ankara. Mimarlık eğitiminin geleceği konusunda öncelikle dijital çağın getirdiği koşulların kavranması, eğitim programlarının ve anlayışının bu doğrultuda güncellenmesi gerekiyor. Ayrıca bugünün öğrencileri ve öğretim elemanları arasındaki, eğitimin tıkanmasına ve gerekli güncellemelerin yapılamamasına neden olan dil ve iletişim sorunlarının üstesinden gelinmesi gerekiyor. Mimarlık okullarının tek tipleşmesi yerine birbirleriyle ilişkilenerek ve kendilerini devingen bir biçimde her seferinde yeniden tanımlayarak kurgulanmaları gerekmektedir. Ankara'nın geleceğini kavramaya dair araştırmalar ise güncel konular hakkında spekülasyonlar üreterek, bugün atılan adımlarla kentin geleceğine etki etmeyi hedeflemektedir. Ankara'nın gündemindeki kentsel konulara dair tüm aktörleri kapsayan, bütüncül çözümler üretilmesi kente dair yeni kavrayışlar doğurmaktadır. Zaman zaman yerel yönetimlerle ve ilgili paydaşlarla da işbirliği içinde yürütülen stüdyo çalışmaları, küresel ölçekte kentleşmenin sunduğu olanaklar ve aynı zamanda yarattığı sorunlar üzerine farkındalık geliştirmeyi, Ankara ölçeğinde ise aksamaları, aşınmaları ve mimari bozulmaları belirleyerek tartışmaya açmayı benimsemektedir.
Sinema ve Mimarlık Etkileşimi: Tim Burton Filmlerinde Modernizm Eleştirileri
(Mimarlar Odası, 2014-01) Güleç, Gülşah; Çağlar, Nur
The fruitful interaction between the fields of cinema and architecture has started to be referred often. The authors provide a reading on the criticism of modernism raised by these two disciplines, which have close associations in the production and presentation of space, through analysing Tim Burton movies. The criticism rose towards 21st century modernism in the movies of Burton, who is after novel contextual and semantic structure, make it inevitable for the architectural discipline witnessing a period named as “super modern” as a derivation of the term “modern”, to start thinking about the past, present and future of the modern world.
Structure and Fragment in Architectural Practice
(ISPEC Publishing House, 2021) Atabek Çelikli, İlkiz; Acar, Sibel; Çağlar, Nur
This paper is a part of the thesis titled “Structure and Fragment in Architectural Practice”, which is studied at the Department of Architecture at TOBB ETU. The thesis argues that the visual culture environment has become dominant, and this has affected the practice of architecture. In addition, it states that during the production of images, the linear process that starts with an idea and ends with a product disappears. Therefore, the fragments of the product become important rather than the final product. Accordingly, the thesis explores alternative ways of understanding the processes and products of architectural practice in the context of fragment and structure relationship. Every image is both a structure and a fragment. While fragments create various structures by associating with other fragments, these structures are divided into various fragments endlessly. The relationship between the fragment and the structure, which this article’s focal point, focuses on the fragment and the intellectual outputs of the structure, that is constantly reconstructing itself. Looking from the framework of the structure and fragment relations offers a new perspective to understand and interpret today's architectural practice with its processes, objects, and images. Accordingly, in this article, in addition to the theoretical framework, the practices of two architects, Şevki Pekin and Mehmet Konuralp, who were awarded the Mimar Sinan Grand Award, are interpreted the discussion of the fragment-structure communication potentials. Materials such as photographs, interviews, videos, and visual maps were used for discussion. Fragment-structure maps of the professional practices of these two architects were produced and the QR Codes of these maps are presented in this paper.
Structure and Fragment in Architectural Practice
(Caleidoscopio, 2022) Atabek Çelikli, İlkiz; Acar, Sibel; Çağlar, Nur
Since the last decades of the previous century, image production has increased more rapidly than in any other history phase. The visual culture environment has become dominant and affected architectural practices. The linear process that begins with an idea and ends with an end-product has disappeared. This study explores an al- ternative way of looking at the architectural practice, understanding its processes and products. By defining two concepts, “fragment” and “structure,” and question- ing their relationship as a pair, this study argues that; Each image is both a struc- ture and a fragment. Fragments establish various structures by associating with oth- er fragments while the structures break down into various fragments that go forever. Attention and responsiveness to each other, the communication of the fragment and the structure becomes a richer exchange, more cooperative, more dialogic. Thus, they provide a broader perspective to comprehend and interpret the present day’s architec- tural practice through its objects and images. The relationship between the fragment and the structure that this essay focuses on is not a kind of dialog in which parties preserve themselves while they communicate, nor the fragment and structure have a part-whole relationship. Instead, this study focuses on the intellectual outputs of structure and fragment that construct and reconstruct themselves in a dialogic rela- tionship within this context.
Towards a Dialogic Perspective for Urban Voids
(Caleidoscopio, 2022) Yaşar, Elif Ceren; Öztoprak, Zelal; Çağlar, Nur
One of the primary purposes of urban studies is to investigate scenarios for the future of cities and how the decisions influence the urban landscape. Every decision taken by authorities changes the physical, social, economic, and political qualities and identi- ty of the city, and these changes are reflected in the urban space and, therefore, in the urban experiences of people. These decisions are mostly taken by solely considering the tangible qualities of the urban space. However, there are also intangible aspects of urban space. This paper addresses the importance of these intangible aspects, with a particular focus on deepening urban experience. Urban voids are an essential part of the urban experience. They are the cornerstone for urban development and the grounds for change; therefore, their design process should be considered thoroughly, together with the city organism and taking different viewpoints into account. There are two risks of not considering urban voids in such a manner: 1. These voids will become undefined areas and transform into lost spaces, 2. These voids will potentially break off from the city organism and become patches. Thus, they should be intertwined with the city before they become patches in every aspect. Only in this way will they be filled with meanings, identities, people, actions, subsequently, urban experiences. The scope of this study is to scrutinize the potential of urban voids with the conceptu- al framework of Mikhail Bakhtin’s theories of ‘dialogy’, ‘carnival’, and ‘heteroglossia’. The Bakhtinian point of view aims to reveal a heteroglot and a dialogical perspective dominated by the carnavalesk state of urban voids. In line with this purpose, this pa- per aimed to bring a Bakhtinian perspective to urban voids.
Zones militars: Un remei per a despertar a Ankara de l’amnèsia urbana
(Tècnica Superior d’Arquitectura de la Universitat Politècnica de València, 2021) Öztoprak, Zelal; Çağlar, Nur
El context històric d’Ankara és relativament complex a causa dels punts de ruptura de la seua història. En primer lloc, Ankara es va convertir en l’aparador de la recentment creada República Turca i es va dissenyar un nou centre urbà aïllat de l’antic per a representar la modernitat de la República. En segon lloc, amb el colp d’estat de 1980 i l’expansió de les zones militars, el nou centre de la ciutat es va expandir de manera imprevista i no planificada. Finalment, després de la temptativa colpista de 2016, es decideix reubicar les grans zones militars del centre de la ciutat en les perifèries. Aquest estudi assenyala la importància d’aquesta recent decisió en el paisatge històric d’Ankara i proposa que podria ser un potencial per a reparar la memòria urbana de la ciutat. A causa d’aquests canvis massius, Ankara ha perdut moltes de les seues referències històriques i la continuïtat de la memòria urbana. En aquest context, aquest article analitza a fons la reconstrucció de les zones militars en el centre de la ciutat, la seua presència històrica i les seues possibles interaccions amb les necessitats de la ciutat. Entendre aquestes zones com a potencials catalitzadors de la reparació del paisatge històric requereix desenvolupar una nova perspectiva, que abaste relacions complexes i veus múltiples. El pensament dialògic i polifònic engloba la multiplicitat, la relacionalitat, el caràcter incomplet i els actius històrics inherents a la ciutat.

Browse

Browsing Mimarlık Bölümü / Department of Architecture by Author "Çağlar, Nur"